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lirik lagu film school – knowledgehub

[intro]
(spoken)
so for the past year i’ve been working on this review of citizen kane as a song, but as time went on, i just wasn’t happy with what was coming out and eventually i forgot what * y’know * citizen kane was about! ‘cus it’s been a year! that i haven’t done anything!

[verse 1]
(singing)
charming moments with a good sense of humour
like the part where the old guy figures how he got older
and the man smokes a stokey as he slaps all the asses of the
women beside him in the moment it passes ah*ha

[verse 2]
john c. reilly really did a number on his sorry*ass welles
that dumb sh*t motherf*cker
as he casts his spells, he’s weaving his magic and he’s
busting heads; rosebuds, the sled you slide

[bridge]
(spoken)
so* of course i wasn’t just writing this song for a whole year, i wrote tons of songs, i just y’know, none of them were* i didn’t think they were good enough. i just didn’t want to put them out into the world. so you get this garbage instead

[verse 3]
(singing)
counting the scenes it seems it, that’s right it pleases by the
notions created over tom , it delayed remains and
first up*
[a different song starts playing]
(spoken)
ah sh*t what the f*ck was that*
see like that i just keep having issues with my audio program (something with the quantizing)
seriously like, all of this has just been a giant mess to make, i could delete that but i* i’m gonna f*ck up everything else in the song if i do so this is what you get ok?

[instrumental]

[bridge 2]
(spoken)
so of course with all these songs i wrote uh… it was all the citizen kane song * just different takes on that song so i don’t have a lot of lyrics to put in here, so i wrote different songs, but they were all about the same… y’know you’ll see it’s right here

[verse 4]
(singing)
john c. reilly, tim allen, citizen kane
walt disney * dark man * say it is the same
f*ckin’ song but maybe one day i’ll make something better
just for now i’m*
(spoken)
i’m just, i’m tired (groan)

[verse 5]
great and important in the 18 or 80’s
maybe hurst would have something if just he was behaving like the fiction creation i had or representing persons living or dead but maybe
he’s better off with staying*
((spoken) ok you see this part right here? i’m recording this at, what is this, 1:47, i want to go to bed, actually i want to go play xbox, but… when i’ve been doing this for a few hours my voice gets tired)

[verse 6]
counting the scenes it seems the charming moments with the
glancing changes all the ways we make fiction move our
fancy projectors of the newfound directors
all is buy you for minutes of the thing
they call worthless if the*
((spoken, left ear) you get the point. you hear that? you hear the issue right there? with the uh* the notes are just slightly off, [?] this thing on my keyboard trying to bend notes, meaning that i can’t get all this [?])
((spoken, right ear) seriously, i ,this, this has been a mess. i mean, yeah. ye* those don’t, those culturin’ their d*ck each(?)…bending, they’re not o* they’re not in the right key, and i can’t fix it, i, unless i delete this whole video,[?] do it for(?) f*cking ear. [?])
[verse reprise]
charming moments with a good sense of humour
like the part where the old guy figures: how he got older
and the man smokes a stokey as he slaps all the asses of the
women beside him in the moment it passes ah*ha

- knowledgehub

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